Friday, July 28, 2017

Hello, Cleveland 

A famous sign Filed under: Photography Tagged: America, Ohio, Photography, photos, travel

Thursday, July 27, 2017

#tbt: Troy Polamalu at the Wax Museum

As the 2017 training camp gets started, here’s a look back at a lighter moment with one of the Steelers’ all time greats, Troy Polamalu. (Source: http://www.youtube.com/)Filed under: Video Tagged: 43, football, lol, Steelers, Troy Polamalu, Video, wax museum

Thursday, July 20, 2017

#tbt: 10 years ago when we were rockstars

Filed under: Photography Tagged: candid, Family, photos, travel

From the archive: Deborah Zlotsky at Kathryn Markel, 2011

Originally posted Oct 14, 2011: Images from Deborah Zlotsky’s solo art exhibition in fall 2011 at the Kathryn Markel Gallery, 529 20th St., New York City. See more of Deborah’s art at http://ift.tt/2uFKL6m under: Art Tagged: abstract art, Art, Chelsea, Deborah Zlotsky, Kathryn Markel, NYC, painting

New Lit on the Block :: Cold Creek Review

cold creek reviewEver stuck your foot or hand into ice cold water and held it there, feeling the numbness of the aftershock? How about the whacky idea of a polar plunge – your whole body into an icy lake – can you imagine what that must feel like? Believe it or not, that’s the exact sensation the editors of Cold Creek Review were going for when they named their online publication. “We wanted to focus on literature and art that makes you feel paralyzed,” Editor-in-Chief for Poetry and Nonfiction Amber D. Tran tells me. “We imagine reading and reviewing our featured pieces leaves you with a sense of frozen time, like you were being submerged in a body of ice-cold water.”
cold creek reviewEver stuck your foot or hand into ice cold water and held it there, feeling the numbness of the aftershock? How about the whacky idea of a polar plunge – your whole body into an icy lake – can you imagine what that must feel like? Believe it or not, that’s the exact sensation the editors of Cold Creek Review were going for when they named their online publication. “We wanted to focus on literature and art that makes you feel paralyzed,” Editor-in-Chief for Poetry and Nonfiction Amber D. Tran tells me. “We imagine reading and reviewing our featured pieces leaves you with a sense of frozen time, like you were being submerged in a body of ice-cold water.”

Right now, as we enter the peak of summer in the Midwest, this sounds like a great way to escape the heat: submerged in an online journal of fiction, nonfiction, and poetry, art and photography. But, Tran warns me, “Cold Creek Review is not your ordinary journal. It publishes pieces with distressing themes. If a reader wants to feel challenged, they should consider reading Cold Creek Review.”

Indeed, the submission guidelines specify that, though the editors will consider all styles, they “are partial to submissions that demonstrate examples of troubled emotion.” This includes “work that invigorates a feeling of melancholy long after finishing the piece and anything that makes us do more than think. We want your submission to leave us paralyzed and distressed. We challenge you to alarm us.”

Cold Creek Review is released quarterly, but there is also another biannual publication called The Shallows, which "separates itself from the theme of the troubled and the paralyzed,” the editors explain. “All submissions chosen for The Shallows are paired with an interview between the editor who chose to publish the submission and the writer/artist responsible for the submission.” The theme for each issue of The Shallows will be posted on the website.

With two issues already in publication, Cold Creek Review is off to a good start. The collaborative effort of Amber D. Tran, Jane Pearson, and Sheena Bove, it was Tran’s desire since college to start a literary journal. A published novelist herself (Moon River, Little Creek Books, 2016), Tran was motivated by her love for the creative arts to start Cold Creek Review. A fan of the darker and more disturbing themes, Tran wanted to focus on atypical work. Her goal was to publish pieces that bring about mystery and often pain.

Alongside Tran is Jane Pearson, who is currently working on her master’s in business administration. She is a frequent reader and edits material on the side. And Sheena Bove, who has a master’s in human-computer interaction and is an avid digital and traditional artist. She designs t-shirts, paints, and works closely with user experience.

Writers who are interested in submitting works can expect thorough consideration. Tran reviews the submissions first, and then she hands them off to Pearson and/or Bove. The editors meet once every two weeks to review submissions. Together, the three discuss each submission individually, making sure that all parts of the submission are considered and understood. Typically, Tran makes the final decision on poetry and nonfiction, Pearson for fiction, and Bove for art; sometimes, if a piece speaks to an editor, they can override a decision for publication if it is outside their jurisdiction. The day after the meeting, Tran compiles all submissions and responds to the writers.

Cold Creek Review accepts submissions on a rolling basis, and Tran emphasizes to writers: “If you feel like you have a dark piece that may not be suitable for other journals, please send it to us!”


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Tuesday, July 18, 2017

Photos: Angry Birds in the Wild

laughingsquid: Angry Birds in the WildFiled under: Photography Tagged: Angry Birds, Art, birds, Design, Gaming, Illustration, Mohamed Raoof, mohamedraoof, nature, Photography, wild

Thursday, July 13, 2017

#TBT: Dwell at CAC Woodside in Troy

Dwell at CAC Woodside in Troy (originally posted Oct 9, 2011)Filed under: Art Tagged: Art, mohu, sculpture, Troy

Tuesday, July 11, 2017

Close reading: ‘Epiphany’ by S.E. Venart

'I am the big heart, aren’t I?': 'Epiphany' by S.E. Venart is a brilliant and devastating poem

Nietzsche on writing

vintageanchor: “The author must keep his mouth shut when his work starts to speak.” —Friedrich Nietzsche (Source: http://ift.tt/2t0vA8o)Filed under: Writing Tagged: birth of tragedy, Friedrich Nietzsche, Quotes, silence, Vintage Anchor, writing

Monday, July 10, 2017

This is going to make my dog mad …

I recently uploaded some photos to Google Photo Backup. One thing it does is automatically group images with similar content and then label them things like “Food” or “Flowers” or “Beaches.” There’s even a “Dogs” one, which features plenty of photos of my dog. And then today I discovered a new one, also featuring my … Continue reading This is going to make my dog mad …

Saturday, July 8, 2017

Friday, July 7, 2017

NOR The African Literary Hustle

nor african literary hustleIssue 43 of New Orleans Review is themed "The African Literary Hustle" and opens with the editorial by Mukoma Wa Ngugi and Laura T. Murphy, "This Hustle is Not Your Grandpa's African Lit." The two issue editors examine the historical 'presentation' of African literature published in Western culture as "all too often realist, in English, and in the spirit of Chinua Achebe. But romance, science fiction, fantasy, epic, experimental poetry, satire, and political allegory all find expression in Africa, though not necessarily publication." The editors confront this disparity, "Those who are called to write often have to hustle to get recognition by writing a coming-of-age colonial encounter tale or hustle even harder to have their unique voices heard. So the post-Achebe generation writer faces all sorts of firewalls."

Thus, the call went out for this issue, and writers responded with the editors hoping "to provoke some interesting and unpredictable writing and thinking that would reflect and respond to the spirit of the hustle." Oddly enough, the editors note, "eighty percent of the submissions were from white non-African-identifying writers who thought they could hustle their way into a volume of African literature and had no qualms about it." Seriously.

The editors close on the comment, "But what is African literature? Is there, can there be, was there ever and African literature? In asking you have answered your question. African literature is a question. It is an open question that invites, and has to keep on inviting, different geographies, languages and forms."

Thus, this issue of New Orleans Review: The African Literary Hustle.



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