Monday, September 25, 2017

Mike Jarboe, in memoriam; or, snapshots of a newspaperman

I am still in disbelief that Mike Jarboe is gone. I am so glad to have read so many stories about him and tributes to him, and that his family knows how many people he has touched and how deeply. Everyone who’s ever met Mike Jarboe has a Mike Jarboe story. Here are some of … Continue reading Mike Jarboe, in memoriam; or, snapshots of a newspaperman

We Gon' Be Alright: Notes on Race and Resegregation


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The Silkworm (Cormoran Strike, #2)


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Friday, September 22, 2017

New Lit on the Block :: Virga

virga coverVirga is the name for the cloud streaks that stream hazily down from the sky, snow or rain precipitation that evaporates before having a chance to reach the ground. Virga can often fool radar into recording precipitation while the ground remains dry. Perhaps in this same way, poetic and hybrid forms can be as elusive as nature herself, and why Virga is an appropriate name for new online literary biannual dedicated to poetry and hybrid writing.
virga coverVirga is the name for the cloud streaks that stream hazily down from the sky, snow or rain precipitation that evaporates before having a chance to reach the ground. Virga can often fool radar into recording precipitation while the ground remains dry. Perhaps in this same way, poetic and hybrid forms can be as elusive as nature herself, and why Virga is an appropriate name for new online literary biannual dedicated to poetry and hybrid writing.

“Virga – the word sort of romanced me when I heard it,” says Founding Editor-in-Chief, Laura Page. “I have always loved watching that cloud-spill, but had not previously known there was a name for it. I like the idea of a little sky falling to earth, and I like to think that human language can do that too — pull some heaven down to where we live and work and love.”

Page is a graduate of Southern Oregon University, where she studied English Literature and Writing and was the recipient of her program’s annual award for non-fiction writing. Her stories and poems have appeared in numerous publications, and her forthcoming chapbook, epithalamium  won Sundress Publications’ 2017 chapbook prize. Assistant Editor Dillon Wiengart is a published poet and a musician. He was a two-year resident at Timeless Instruments in Saskatchewan, where he studied luthiery: the craft of making stringed instruments.

Page says she started Virga  because she wanted to be a more involved literary citizen, and because she’s “always seeking poetry that shows me new ways to be human. I wanted to curate work that defines our humanity in sensitive and empathic, but also bold and innovative ways.”

Available to read open access online as well as on Kindle, Virga  features around twenty contributors per issue with poems and hybrid pieces of any length, with the unifying feature that they are “elegantly crafted and lean toward the lyrical.” Page explains, “We seldom publish formal or metered pieces.” Twice a year, summer and winter, readers can also enjoy a featured book review or interview with a poet. The inaugural issue, in addition to an interview with Sarah Nichols, features writing by Melanie Janisse Barlow, Bill Gholson, Lindsay Illich, Anonymous, C. Kubasta, Danny Ross, Gia Grillo, Hannah Kimbal, Jennifer Atkinson, Kevin Quitt, LeighAnna Schesser, Mark Jackley, Rebecca Hart Olander, Ryan Tahmaseb, Shaindel Beers, and Tammy Bendetti.

For writers interested in submitting, Virga  reads year-round for issues released in May and October. The website includes specific deadlines for each issue’s consideration, and the publication accepts submissions via Submittable.


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Friday, September 15, 2017

New Lit on the Block :: Embark

embark coverTeaching a course in The Novel, I took my students to the fiction section of the library and had them pull down books at random and simply read the first several pages, sometimes just the first sentence. I wanted them to sample as many “beginnings” as they could, then comment on the exercise. Some said they liked it as a way to consider a lot of books and see which one might grab their interest; overwhelmingly, they all wanted to go back and keep reading at least one or more of what they had sampled. Now, imagine this experience of sampling first chapters at your fingertips, on the computer, in one publication, and you will have imagined Embark.
embark coverTeaching a course in The Novel, I took my students to the fiction section of the library and had them pull down books at random and simply read the first several pages, sometimes just the first sentence. I wanted them to sample as many “beginnings” as they could, then comment on the exercise. Some said they liked it as a way to consider a lot of books and see which one might grab their interest; overwhelmingly, they all wanted to go back and keep reading at least one or more of what they had sampled. Now, imagine this experience of sampling first chapters at your fingertips, on the computer, in one publication, and you will have imagined Embark.

Embark  is an open access online quarterly designed specifically for novelists. Founding Editor Ursula DeYoung explains, “It features the openings of unpublished novels, through which people embark on their novel-reading experiences (hence the name!).” Every issue features ten novel openings (the first 2,500-4,000 words of the book), and each opening is accompanied by a brief Author's Statement (250-500 words).

Before starting Embark, DeYoung worked as a novelist and editor in Cambridge, MA. Her first novel, Shorecliff, was published in 2013 by Little, Brown, and she is currently in the process of selling her second novel. DeYoung’s inspiration for founding Embark  came partly from her work as a fiction-writing teacher at the GrubStreet Writing Center in Boston. “I've been very impressed by the enthusiasm and talent of my students,” she says, “and I feel that their work, and the work of other striving novelists, deserves promotion.

"I've also found very few ways for novelists to publicize their works-in-progress. While short-story writers can choose from a plethora of literary journals when seeking publication, novelists often feel constrained to wait until an entire project is finished and sold to a publisher before receiving any feedback or recognition from the reading public. Yet the openings of novels need especially careful polishing, given that the first pages must hook the reader and set the stage for the entire book. For this reason, I hope that the process of refining a submission to Embark  is in itself helpful for writers, and that those writers who are chosen as contributors will both feel encouraged in their projects and receive deserved notice for their novels' beginnings.”

For readers, DeYoung says Embark 's novel beginnings will offer “fascinating and manageable reading experiences that may be tantalizing (they should be, if they are well-crafted!) but are also satisfying in themselves.” As the editor, DeYoung finds it heartening and inspiring to know that there are so many working novelists out there, producing such interesting work. For writers, her hope is that eventually Embark 's contributors will find agents and publishers – perhaps in part because of their inclusion in Embark 's issues! “In any case,” she says, “I am very pleased to offer a forum in which novelists can publish and promote the beginnings of their works-in-progress.” And as readers, we are fortunate to share in this!

The first issue of Embark  includes novel beginnings by Elizabeth Bell, Sean Griffith, Judith Haran, Derek Heckman, Margo Orlando Littell, Bill Mesce, Jeffrey Perso, Jo-Anne Rosen, Marian Szczepanski, and Shannon Connor Winward. Readers will enjoy a broad range of genres, DeYoung writes in the Editor's Introduction, "from science fiction to surrealism, from the story of a would-be saint to a suspenseful police thriller. The characters are similarly wide-ranging: mothers, teachers, doctors, robbers, an officer on a spaceship, a teenage composer. What unites all ten openings is their power to engage the reader and deliver the unexpected."

For writers, quarterly deadlines are posted on the publication’s website. Submissions are accepted via e-mail with a response time of two-three months. Embark  welcomes submissions from working novelists everywhere!


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Thursday, September 14, 2017

A modest proposal for a future word that means ‘self-driving vehicle’

  One thing I often say to visitors to the contemporary museum where I work is that when they look at something they don’t quite understand their brains will try to make meaning out of the new or strange thing by equating it to things they already know. That is, the experience of something new … Continue reading A modest proposal for a future word that means ‘self-driving vehicle’

Tuesday, September 12, 2017

The portable video game truck

We heard the screams from down the block during our evening walk. They could’ve been coming out of any of the homes in the neighborhood, sounds muffled with windows and doors closed up from the heat. Then we turned a corner and saw this truck. Maybe it was a birthday party inside. Kids were screaming. … Continue reading The portable video game truck

Friday, September 8, 2017

New Lit on the Block :: Sky Island Journal

sky island journalBorn in the southern reaches of Arizona and New Mexico, Sky Island Journal is a new, open access online quarterly of poetry, flash fiction, and brief creative nonfiction. Just like its unique geographical namesake, Sky Island Journal  promises, “as a writer, no matter who you are, where you're from, or what you write about – if you’ve ever felt a connection to landscapes, art, or people, your writing might very well find a home with us. As a reader, you're in for a real treat.”
sky island journalBorn in the southern reaches of Arizona and New Mexico, Sky Island Journal is a new, open access online quarterly of poetry, flash fiction, and brief creative nonfiction. Just like its unique geographical namesake, Sky Island Journal  promises, “as a writer, no matter who you are, where you're from, or what you write about – if you’ve ever felt a connection to landscapes, art, or people, your writing might very well find a home with us. As a reader, you're in for a real treat.”

Founders and Co-Editors-In-Chief Jason Splichal and Jeff Sommerfeld explain the publication's name: “Sky islands are small, isolated mountains that rise up dramatically—like bright battleships—from the flat sea of desert that surrounds them. Physically separated from other mountain ranges, and much higher in elevation than the surrounding desert, sky islands are refugia for exotic species found nowhere else, animals that only migrate vertically, and relict species that have found themselves stranded by a continually warming climate.

“Known for their ecological diversity, many sky islands are places where species from radically different biomes meet and mingle. Conversely, some promote extreme specialization in the species isolated there. Sky islands loom large in human culture as well. They are the homelands of the Apache, the Akimel O'odham (Pima), and the Tohono O’odham (Papago). At one time, sky islands formed the beating, northern heart of Old Mexico. After the Gadsden Purchase of 1854, they became the collective muse of raiders and ranchers, writers and warriors, painters and potters — the lawful and the lawless, the indigenous and the immigrant, alike.”

Splichal, author of six books of poetry—most recently Flux  (2012) and Katsura  (2015) – divides his time between his ranch in Luna County, New Mexico (the birthplace of Sky Island Journal ) and his home in Eau Claire, Wisconsin, where he teaches English. Sommerfeld, a former high school English teacher born and raised in Wisconsin, now resides in Tucson, Arizona, and comes with a diverse professional writing background. He developed successful litigation strategies for Fortune 500 clients, secured millions in grant funding for nonprofit organizations, such as the Boys and Girls Clubs of Chicago, and recently held the role of Lead Writer for the daily fantasy sports website, ReDraft Hero.

The desire to start a literary magazine, Jeff and Jason explain, comes from “our singular mission to provide readers with a powerful, focused, advertising-free literary experience that transports them: one that challenges them intellectually and moves them emotionally.” Unique to their selection process, the editors do not allow submitters to include cover letters or bios with their submissions. The editors explain, “This creates a refreshing challenge for well-established professionals who have been favored by literary journals in the past because of their credentials, while simultaneously encouraging emerging voices — writers, young and old, who would normally be rejected out-of-hand by many literary journals because of their lack of pedigree.” The writing must stand on its own merits alone.

As a result, readers can expect to be “transported emotionally and challenged intellectually by well-established authors and emerging voices, published side-by-side, on a clean, powerful, well-curated platform.” Some voices readers can find in the inaugural issue include Megan Pokrass (London, England), Carol L. Deering (Wyoming, USA), and B.J. Hollars (Wisconsin, USA).

Sky Island Journal  accepts submissions year-round via Submittable, and writers can submit as often as they like. SIJ  is currently reading for their second issue (Fall 2017). The average response time is seven days. “Our contributors are a top priority,” say the editors. “We consider it a privilege to experience the world of words inside every submission, and, as a result, every submission undergoes several deep cycles of reading and real-time discussion. Every submission — regardless of whether we accept or decline it — receives a prompt, respectful, and individualized response from our team that details what we appreciated and why.”

In the future, Sky Island Journal  editors hope to continue growing their readership domestically and internationally by continuing to provide a dynamic platform for authors to have their literary art displayed. “We believe our journey along the literary terrain of Sky Island Journal has just begun.”


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Tuesday, September 5, 2017

Glimmer Train May/June Short Story Award for New Writers

Glimmer Train has just chosen the winning stories for their May/June Short Story Award for New Writers. This competition is held three times a year and is open to all writers whose fiction has not appeared in a print publication with a circulation greater than 5000. The next Short Story Award competition will start on September 1: Short Story Award for New Writers. Glimmer Train’s monthly submission calendar may be viewed here.

DanMurphy1st place goes to Dan Murphy [pictured] of Brooklyn, NY, who wins $2500 for “In Miniature.” His story will be published in Issue 101 of Glimmer Train Stories. This will be his first fiction publication.

2nd place goes to David Ye of Irvine, CA, who wins $500 for “Blue Water.”

3rd place goes to Jen Wellington of Buffalo, NY, who wins $300 for “Red Stick.”

A PDF of the Top 25 winners can be found here.

Deadlines soon approaching:

Fiction Open: August 31 (grace period extends through September 10)
Glimmer Train hosts this competition twice a year, and first place has just been increased to $3000 plus publication in the journal, and 10 copies of that issue. Second/third: $1000/$600 and consideration for publication. This category has been won by both beginning and veteran writers - all are welcome! There are no theme restrictions. Word count generally ranges from 3000 – 6000, though up to 20,000 is fine. Stories may have previously appeared online but not in print. Click here for complete guidelines.

Very Short Fiction Award: August 31 (grace period extends through September 10)
This competition is also held twice a year, with first place winning $2000 plus publication in the journal, and 10 copies of that issue. Second/third: $500/$300 and consideration for publication. It’s open to all writers, with no theme restrictions, and the word count must not exceed 3000. Stories may have previously appeared online but not in print. Click here for complete guidelines.


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Friday, September 1, 2017

New Lit on the Block :: Breathe Free Press

breathe free press coverEmma Lazarus’ sonnet “The New Colossus” has gained new popular attention of late, thanks in part to White House senior policy adviser Stephen Miller’s comments dismissing the value of its message to immigrants. But, before Miller, this poem engraved on The Statue of Liberty was the inspiration for Breathe Free Press, a magazine the Editor Deborah Di Bari says was “founded in great part to resist the Trump administration’s oppressive policies.”
breathe free press coverEmma Lazarus’ sonnet “The New Colossus” has gained new popular attention of late, thanks in part to White House senior policy adviser Stephen Miller’s comments dismissing the value of its message to immigrants. But, before Miller, this poem engraved on The Statue of Liberty was the inspiration for Breathe Free Press, a magazine the Editor Deborah Di Bari says was “founded in great part to resist the Trump administration’s oppressive policies.”

Published three times per year online, Breathe Free Press is a literary magazine of resistance and awareness dedicated to essayism, narrative; cross-genre; flash; experimental; critical; travel and (especially) lyric essays. Di Bari’s own background reflects her eclectic influences, “I received an MFA from The City College of New York, CUNY. My psychedelic drawings made with colored pencils led to my career in fashion, designing printed textiles and clothing. My casual journal writing seemed an end in itself until I took my first creative writing class.” All of this, further influenced by the current political climate, has now led to her editing and publishing Breathe Free Press.

Di Bari tells NewPages she started Breathe Free Press: “To keep my sanity — save democracy — resist fascism — subvert genre constraints — create a space for diverse voices.” And it’s this diversity and breaking free from constraints that readers can expect to find in each issue. “The essays we seek allude, intimate, insinuate, attempt, analyze, critique, express: attentive to language and cultural associations,” Di Bari says. Readers will get a fresh breath of “themes that transform and transgress metanarratives of authority and power structures.”

Authors recently published in Breathe Free Press include Tamlin Thomas, Alaina Symanovich, Samuel Cole, Nicole Yurcaba, Anna Keeler, Rosemarie Dombrowski, Abby Pullen, Lena Ziegler, Joseph Reich, Cleo Aukland, Joshua Baker, Robert Vivian, Mary Pacific Curtis, Chelsey Clammer, Kira-Rice Christianson, and Diane Payne.

The future for Breathe Free Press, Di Bari says, will be “Big!” Issue #3 is due out Winter 2018. Also in the works: a writing contest, a writing conference in Italy, a community workshop, and introducing and highlighting unique voices and perspectives.

For writers considering submission, Di Bari says, “We welcome, generous, graceful conscious writing: art, not journalism—in literary observation funneled through social awareness in essayistic narratives that subvert genre constraints.” Submissions are accepted through Submittable.


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